![]() Adobe has a 40% off 1-year subscription for new members who sign up now through May 29, 2015, which makes it only $29.99/mo for the entire suite of apps for your first year.įinally some updates, but isn’t that what we’re PAYING for? Only if we could actually download them today… isn’t that what the “Cloud” promised originally? You can read more about all of these updates on Adobe’s Creative Cloud blog, which has further links to the individual application blogs for even more details. This is one of those “Say what?!?” features that makes me grin because it is so crazy. Adobe Media Encoder and Premiere Pro will automatically add or remove frames in areas of low activity to cheat the clock. One other interesting tidbit is the new Time Tuner, which allows you to alter the duration of an export by up to 10% in either direction. (The track mixer effects UI has long been a pet peeve of mine.) Premiere Pro is also said to have improved audio routing UI, although details are not yet available. Closed Captions can now be burned in to video on export. Premiere Pro is supporting several new video formats, including Canon’s new XF-AVC from the EOS C300 Mark II and XC10 4K cameras, Avid DNxHR, ProRes 4444XQ and Panasonic 4K_HS. These are just the big updates that Adobe is highlighting at the moment. There are loads of other new features for Adobe video applications. This allows you to edit your audio with the edited video sequence in Audition. Looks very slick.ĪE is also getting Creative Cloud Libraries, which allows you to import graphics, color swatches and looks via your Creative Cloud library.Īdobe Prelude gets the ability to add voice-overs directly in Prelude rough cuts, which then travel to Premiere for further editing.Īdobe Audition CC will get the ability to open Dynamic Link video sequences from Premiere Pro. AE does the heavy lifting, which should cut down the time-consuming manual rotoscoping process. The new After Effects also gets an enhanced face tracker that lets you start with the simple mask and then define it via a dropdown menu as a face tracking mask. I still can’t find details on whether or not the engine has been re-written but that’s a heckuva ambitious improvement over what AE users are accustomed to. That’s quite the ‘wow’ for the dinosaur that After Effects has become. It also provides uninterrupted previews, which allows you to change elements in your composition without stopping playback. Demo video below.Īfter Effects CC 2015 will get a big improvement to previews with a more simplified approach such as one keyboard shortcut to preview your composition. Premiere Pro also gets the ability to open and edit Premiere Clip projects directly in Premiere Pro for a more seamless transition from your mobile device to the full-fledged NLE. We’ve covered the new Lumetri Color Panel and Color Workspace above, but Adobe has taken that idea throughout the rest of the editing process with more thoughtful designs through task-oriented workspaces. It uses a combination of face tracking and frame interpolation to analyze the frames around the jump cut and morph the footage into a seamless transition in the video clip. It’s voodoo, man. Have you ever watched YouTube videos featuring a talking head with jump cuts in between phrases? It looks like amateur hour, right? Well, Adobe has a fix for that problem that will fix those jump cuts.Īdobe is calling the feature Morph Cut. See a demo of the new 3-way color corrector in the video below. This looks like a welcomed addition too since the previously-included 3-way color corrector has been loathed by video editors for years. See the demo video below.įinally, the Lumetri color panel also adds a new 3-way color corrector based on Speedgrade’s color engine. A very slick and promising new tool.Īdditionally, a new curve adjustment tool and hue/saturation controls brings Photoshop-like editing tools directly to Premiere Pro. ![]() Check out a demo in the video below.Īdobe has nearly turned Speedgrade into Lightroom for video editing. It brings several color correction features that photographers will appreciate to your video workspace, including a color correction panel that is very similar to Lightroom’s slider-based color correction tools. One of the biggest new features is the new color workspace in Premiere Pro, including the new Lumetri Color Panel. See the highlights of the various updates in the 3-minute overview video below. Adobe has announced the major updates for Premiere Pro and the other video-centric apps in the Creative Cloud suite, which will be thoroughly highlighted next week during NAB 2015. ![]()
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